It's always fun to take a break from corporate shooting and capture friends and family! Yesterday I was blessed to spend time with my nephew Hudson and friends Dina & Thea...
September 23, 2007
September 20, 2007



September 16, 2007
LeRoy Neiman in SoHo
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Over the weekend, we photographed artist LeRoy Neiman in an appearance at the Franklin Bowles Gallery in SoHo. Neiman was offering hundreds of original Femlin drawings from his private collection. Many of these drawings appeared in the pages of Playboy, but some had never left his studio. http://www.leroyneiman.com/
September 15, 2007
Giving credit where credit is due...
Even with the "Copyright Act of 1790" on record, we still field questions about copyrights and photo credits for our images. The reality is that when a photographer takes a photo, a "tangible medium of expression" results and it automatically has a copyright. According to the U.S. Copyright Office, "Registration is voluntary. Copyright exists from the moment the work is created." Longview offers liberal usage rights for images, but we maintain the copyright and require a photo credit. This credit is similar to an artist's signature. Michael Wilson's New York Times article "Known for Famous Photos, Not All of Them His" (Click here to read) is a very interesting look at what results when photographers are not properly credited for their work. In the article Wilson discusses Joe O'Donnell (a.k.a. "The Presidential Photographer") who has laid claim to many photographs that simply were not his. For example, O'Donnell claims to have captured a 1962 photo of President Kennedy aboard his yacht, however this photo was taken by Robert Knudsen. In hiring a professional photographer, clients expect to receive unique, artistic imagery - we happily oblige but would like credit where credit is due.
September 14, 2007
Between a Rock and a "High" Place...



September 9, 2007
Race for the Cure

September 4, 2007
F-stop on the train....


Anyone can set a camera to auto-mode and use a flash, but a professional (make that an experienced, talented professional) will think, "What shutter speed will portray the movement on the dance floor. What aperature will capture the detail of the product in the foreground, while blurring the distracting background."

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